On August 6th 1977, the world’s first DOCTOR WHO convention was held at a church hall in Battersea, South London. Organised by The Doctor Who Appreciation Society (DWAS) , Convention ’77 was ground breaking – featuring sta appearances from the (then) current Doctor Tom baker with his latest companion Louise Jameson (Leela) and former Doctor Jon Pertwee. 40 years later, stars, fans and organisers returned to the church hall to reminisce about that special day! In this second volume celebrating the anniversary, we feature a convention panel with organiser Keith Barnfather, contributor Kevin Davies and attendee Andrew Beech, held at another DWAS event The Capitol II on the 7th May 2017.

4. The JNT Years - Peter Davison and Colin Baker’s portrayals of the Doctor conceded with one of the most controversial periods of the programme’s history. Was the programme as good as it used to be… or just different? What did the production staff, both past and present, think? However, you’ll see lots of other personalities from other eras as we stop along the way to look at particular aspects of the programme.

A young cellist is submerged by the sick love of his father, an acclaimed cellist, who does not let her be herself. Her father dies after the last concert of his daughter Mariel. This represents a break in her life because her possesive father planned everything, and she does not know how to face the world on her own. On a trip to Colonia, she discovers a person who sells trinkets to the tourists, who helps her take control of her life.

On August 6th 1977, the world’s first Doctor Who convention was held in a church hall in Battersea, South London. Organised by The Doctor Who Appreciation Society (DWAS), Convention ’77 was ground breaking, featuring star appearances from the, then, current Doctor Tom Baker with his latest assistant Louise Jameson and former Doctor Who Jon Pertwee. Together with autograph sessions, a display of props, a visual FX lecture by Mat Irvine and talks by Terrance Dicks and producer Graham Williams, this convention set the tone for the future and led directly to the legendary DWAS PanoptiCons of the 1980s and 90s. 40 years later, stars, guests, fans and organisers returned to the church hall to reminiscence about that special day … what they expected and what they experienced. Also, to evaluate its importance … what it started … and what it led to!

The making of Matrix Revolutions, The (2003) is briefly touched on here in this documentary. Interviews with various cast and crew members inform us how they were affected by the deaths of Gloria Foster and Aaliyah, and also delve into the making of the visual effects that takes up a lot of screen time. Written by Rhyl Donnelly

Inspired by New York Magazine's biweekly pop culture roundup, 'The Approval Matrix' is a hilarious half-hour analysis of the most buzzed about topics out there. Our host, Neal Brennan, co-creator of Chappelle's Show, and his panel of insiders, celebs, thought leaders, and critics face off on the subjects that are on everyone's minds. 'The Approval Matrix' itself comes to life with each of the four quadrants (Highbrow, Lowbrow, Despicable and Brilliant) to help define the debate.

A piece of abstract cinema by John Whitney. A series squares follow a 3-dimensional track, each one with a slight delay after the other.

Planet Kathigana and it’s inhabitants, the Kathigas, have been ravaged by war at the hands of the evil Anadaîn. The Anadaîn are treacherous beings with overwhelming powers hell-bent on eradicating everything in their path. Kedjorian, a revered Kathiga hero has been assigned to protect a sacred emissary, a messenger who possesses the map to the Raiven, the legendary weapon that could end the war. Kedjorian’s ship is shot down and forces him to crash land in the outskirts of Kathigana, a region overrun with Anadaîn forces. Despite being gravely injured, Kedjorian must fight with everything he’s got to protect the emissary and the map from a very powerful Andaîn grunt. Kedjorian confronts the troubling notion that he must give everything, including his own life, to protect a weapon that may or may not exist…

Witness the world theatrical premiere of an ambitious trilogy exploring Hong Kong in flux by acclaimed local artist-filmmaker Nikki Lam. This playful, expansive trilogy explores the artist’s evolving relationship with Hong Kong as the city undergoes its own upheavals. Reworking the visual language of Asian futurism, some scenes are shot on lush 16mm, immersing viewers in swoony Cantopop and late-night neon; other scenes move away from the nostalgic, stylised world of Wong Kar Wai. Working with actor Ching Ching Ho, Lam deconstructs the fictions of Hong Kong’s screen archive and her own attempts to capture memories of a disappearing homeland. This moving reflection on artmaking in the diaspora draws on collective memories to imagine possible futures.

It tells the story of a people who stood on the side of the freedom, civilization and progress, but also some who are on the side of unbridled capitalism and race. However, they is still a possibilities of utopia and solidarity.